Ferrari World theme music recorded with Metric Halo
Published: MEA
UAE: Composer Julian Scott relied on Metric Halo converters for his recording of the themes for the factory section of Abu Dhabi’s Ferrari World theme park. His cues are replayed in surround sound and synchronised to both the ride dynamics and the high-definition video replays. Mr Scott recorded the pieces at famed Abbey Road studios, relying on Metric Halo ULN-8 and 2882+DSP converters to capture the session.
Together with freelance engineer and Abbey Road regular James Collins, Mr Scott prepared for a full symphony orchestra and choir using a traditional Decca Tree, outrigger mics, and a raft of spot mics to allow for flexibility at mix down. They recorded the session in multiple parts, starting with the strings, and then following with the woodwinds, brass, percussion, soloists, and choir in succession. While more time-consuming, theis method delivered complete isolation, allowing Mr Scott to subsequently “re-orchestrate” the pieces to best fit the ride dynamics which were, of course, subject to change.
Mr Scott brought his personal back-end equipment to the session: a Mac Pro loaded with Logic, two Metric Halo ULN-8s, and one Metric Halo 2882. Although the final recording would have a track count of 80, it would come in five parts of only 16 tracks each, allowing him to use the inputs of the two ULN-8s to record, and the outputs of all three Metric Halo pieces to deliver stems to the Abbey Road Neve console for monitoring.
‘My first concern, of course, is sound quality, and Metric Halo converters excel in this regard,’ said Mr Scott. ‘But apart from sound quality, reliability was paramount. I’ve been using Metric Halo converters for years, and they always work. With over one-hundred musicians on call and an extremely tight schedule, tracking down problems was not on the agenda.
‘We used the Abby Road’s Neve console because James is so comfortable on that board and time was of the essence. I’m certain there would have been no loss of quality had we gone with the Metric Halo mic pres, and it might have been better! This, of course, is no knock against the Neve, which is a truly beautiful instrument, but my BBC pro engineering training has ingrained in me the philosophy that less circuitry in the signal path is invariably more truthful,’ noted Mr Scott.